His previous novels include Excavation, The Book of Days, and, with Melanie Tem, Daughters and The Man On The Ceiling. His story collections include City Fishing, The Far Side of the Lake, and In Concert (with Melanie Tem). 1950) is an American writer of science fiction, fantasy and horror. He is a past winner of the World Fantasy, International Horror Guild, British Fantasy, & Bram Stoker awards. Dick, Shirley Jackson, and Theodore Sturgeon awards.
Steve Rasnic Tem once said his writing was filtered through “a different lens to view the world.” With a style all his own, Tem has galvanized and thrilled fans of weird fiction worldwide His efforts have earned him the Bram Stoker, World Fantasy and British Fantasy Awards is métier is the monstrous secret, the unsettling darkness hidden within all of us.
The anthology you hold in your hands brims with horrors known and unknown. “Bedtime Story” opens with a line that defines Tem's style: “I don't know why bad things happen here's never a good reason They just do.” The story introduces us to a nightmare conjured from the mind of a child, preparing to victimize her own father. “The Unmasking” takes us into the tortured psyche of a horribly deformed recluse obsessed with the intricacies of human skin. “Outside,” one of several homages to the great H. P.
Ovecraft, melds Tem's uniquely poetic style with the cosmic horror created by that twisted gentleman from Providence. “The Masque of Edgar Allan Poe” focuses on Tem's fondness for mask imagery, and how the veneer we wear on the surface can become immobile, consuming our souls. “The Doll Thief” is a deeply disturbing exercise in pathos, perversion and psychosis In “Pulled Down to Sleep,” a man fights to remain awake, knowing that sleep will doom him to a life of unspeakable nightmares. “Worms” is a frightening tale of vengeance that will literally leave your skin crawling ith “Mother Hag,” Tem gives us a “grim” fairy tale about monstrous motherly love, courtesy of a grotesque, carnivorous witch.
Tem's unsettling images are brought to life by over a dozen of Jeremy Huet's masterfully macabre illustrations, created exclusively for this treasury versized at 6½ × 11 inches, with over 600 pages, ribbon marker, top-edge stain, handsome signature page, and attractive dustjacket, designed and rendered by illustrator Christopher Conn Askew, this is a phenomenal collection by one of horror's most distinctive voices Signed by Tem and the artists, the edition is just 300 copies. edition information.